By Nathaniel Allison
Editor’s note: The opinions expressed here are those of the authors. View more opinions on ScoonTV
“I took my obligations to white men, not to Negroes. When I have to accept Negroes as brothers or leave Masonry, I shall leave it.”
– Albert Pike, Sovereign Grand Commander of the Thirty-third Degree of the Ancient and Accepted Scottish Rite of Freemasonry
Albert Pike didn’t completely reject Black Masons; he just wanted to use them as tools. White Masons have historically held the impression that the acceptance of Black Masons would lower their social standing. From Pike and beyond, white Freemasons never had any fear of displaying racist positions that denied their most basic Masonic principles. Freemasonry is packaged as a universal brotherhood, oriented to the betterment of the individual and society, but since its foundation they haven’t considered Black men worthy of the brotherhood.
Being a black Freemason has always been about imitating their white counterparts, kept in a symbolic state of genuflecting to the White Man. The process is similar to how black field-slaves became house-slave; this is a mechanism to create them. They adopted the same rituals, the same uniforms, the same organizational style, and the same jurisprudence. Despite all the principles of equality and fraternity, black Freemasons have always been victimized by their white “brothers.” Being utilized by the fraternal organization not long after the Emancipation Proclamation is no coincidence. Actual grievances like racism and slavery were used to create further control mechanisms. The newly freed black man’s identity required reshaping into something more white-friendly. Black Freemasonry was used as a way to control and influence their religion, politics, culture, and most importantly self-image. This same process was also instrumental in the “rise” of African American activism and celebrity.
FORMED BY CAUCASIAN CRAFTSMEN
“Show me in the white community where a comedian is a white leader. Show me in the white community where a singer is a white leader, or a dancer, or a trumpet player is a white leader. These are puppets and clowns that have been set up over the Black community by the white community and have been made celebrities, and usually say exactly what they know the white man wants to hear”
– Malcolm X (1963 interview at the University of California, Berkeley)
Prince Hall was a free African American abolitionist who got initiated into Freemasonry – an initiation some claim was a fabrication. He went on to create his own independent branch of Masonry, what he called the “African Lodge No. 459” Prince Hall Freemasonry was created after free Black men were denied entry into Boston’s St. John’s Lodge due to rules of racial exclusion. In 1784, Prince Hall Masonry emerged as the predominant African American fraternal order. Prince Hall and his successors chartered lodges for Black Masons because they were shut out by their white American brothers. Prince Hall Masonry surged in popularity, spawning dual grand lodges in many states: one for “regular” Masons, another for African Americans. Separate but equal. Prince Hall Masons have been referred to by White Masons as “poor yet sincere brethren of the Craft.”
During his life Prince Hall consistently wrote to the English Grand Lodge about desiring to be integrated within British Freemasonry. But it took Prince Hall Masons almost 200 years to become recognized as legitimate Freemasons – In 1989, the Grand Lodge of Connecticut became the first mainstream lodge to acknowledge Prince Hall Freemasonry as a legitimate organization. Prince Hall frequently praised the Grand Lodge for giving him a public persona that is usually reserved for black religious leaders.
ALL-SEEING EYE ON ASSIMILATION
“Certain qualifications of candidates for initiation are derived from a Landmark of the Order. These qualifications are that he shall be a man, unmutilated, free born and of mature age. That is to say, a woman, a cripple, or a slave or one born in slavery, is disqualified for the initiation into the Rites of Freemasonry.”
– Albert Mackey (1856), The Principles of Masonic Law
For Black Americans in the post-Revolutionary era, the mainstream public sphere was hostile: Black people were frequently subjected to “public use and abuse” through slavery, legal discrimination, mob violence, derogatory media portrayals, and exclusion from civic life. Joanna Brooks argues that Black Freemasonry emerged as a key institution for creating an “effective counter public” – one that was not just reactive but proactive in reclaiming dignity and asserting equality. Masonry was supposed to provide its members with opportunities to learn not only about himself, but also about history, philosophy, and ancient knowledge.
The Black Lodge was sold as an insulated space for newly freed black slaves to withdraw into; a safe place to restructure black identity and a refuge for collective action. Where Men could “meet upon the level.” It was sold to the small population of free black men as a way to psychologically and socially resurrect themselves – as a space to help heal from abuse, rebuild self-worth, and to help craft oppositional narratives to the dominant public discourse. Prince Hall used publications – printed sermons, pamphlets, etc. – as a Masonic lens to reframe the Black experience. One selling point was that Freemasonry started ancient Egypt, and that it was based on ceremonies from ancient Africa. This is a journey where you end up becoming more like your colonial predecessors.
Masonic meetings, ceremonies, social gatherings, and periodicals were the primary outlets for the indoctrination of this imperialist identity. What’s sold to the public is a space emphasizing things like brotherly love, assistance, and truth. But embedded in these mysteries are rituals of death and rebirth, oriented to alchemically dissolve and coagulate the black man into a new form of Man; the White Man’s Golem. Ready to mimic his Masters at will.
In its early history, Prince Hall Masons would often parade in full regalia to demonstrate that an organized and dignified black presence is a possibility in a society that viewed Black people as disorderly and inferior. The processions were meant to show Black men as disciplined and worthy fraternal equals. Something they were capable of without the initiation into Freemasonry. Prince Hall exemplifies Freemasonry’s dual role as a space for spiritual development, and as a builder of empire.
TURNING AN AFRICAN LEGACY EUROCENTRIC
“I have seen upon the streets of my own city colored men wearing regalia in processions and calling themselves Free Masons. Not long ago, I was informed that the barber who was then shaving me was the grand master of the so-called Colored Masons in the State of New York. These circumstances sufficiently put me upon warning as to the existence of clandestine bodies in the State of New York. I use the designation “clandestine bodies” because this is the way I was taught to regard them.”
– William A. Sutherland, grand master of the New York Grand Lodge
Freemasonry’s global network profoundly shaped the socio-cultural fabric of the eighteenth century. And continues to do so today. At its heart it was created as an imperial brotherhood used to expand the British Empire. It was used for identity formation, globalization, and cultural imperialism. The Mysteries of Masonry were used to attract men in need of recreational, intellectual, and spiritual outlets; using ritual to form fraternal bonds. On the surface Masonry promoted a cosmopolitan ideology rooted in Enlightenment principles and practices; emphasizing toleration, benevolence, and universal brotherhood. Under the surface it promoted Judaic mysteries; making Kabbalah more palatable for gentiles.
As a pivotal institution for imperial Builders of Empire, Freemasonry accelerated the British Empire’s access to remote frontiers. Its lodges are often ranked among the earliest structures on the fringes of society. Masonic halls would accommodate official assemblies, religious observances, and convivial gatherings; anchoring British societal norms amid imperial expansion. The lodge was a place to fortify these imperial builders.
The network of lodges were designed to expand beyond the Empire’s formal limits; increasing British hegemony overseas. A network that was meant to stretch to the Ends of the Earth. Imperialism was recast as a fraternal endeavor. During the early twentieth century, British Freemasonry continued extending itself throughout the empire, which grew further still with the acquisition of African, Pacific, and Middle Eastern territories of the defeated Ottoman and German empires – “In every clime a brother, and in every land a home.”
Freemasonry was a perfect way to cultivate an imperialist identity among its members; a worldview that played a crucial role in the societal and cultural formation where it existed. As one Mason acutely described it: “It is for the subjugated to adopt the faith and manners of Englishmen; until that day arrives, there can be but little hope of friendly intercourse between the dominant and subject races.” Our personal worldview controls our perception, acting as a mental filter for reality, determining what is noticed, and how it is interpreted. It’s only after initiation that the civilized slave can correctly interpret reality.
This ideology thrived in Caribbean plantation societies. In the years before the Haitian Revolution, particularly intense masonic relations sustained the burgeoning commerce between Philadelphia and Saint-Domingue. And it’s certainly no accident the first lodge was established shortly after independence. Prior to that French Masonic Lodges in Saint-Domingue would strictly admit black “brethren” to only the first two degrees; thus allowing them to attend the needs of whites during meetings. It was no longer about colonizing a physical frontier, it was focused on the mental landscape.
THE LODGE OF ILLUMINATION
“You don’t catch hell because you’re a Baptist, and you don’t catch hell because you’re a Methodist. You don’t catch hell because you’re a Mason or an Elk… You catch hell ’cause you’re a black man”
– Malcolm X (Message to the Grassroots, 1963)
Many prominent Civil Right Leaders were Prince Hall Masons. The main architect of the Civil Rights Movement John Lewis had received his degrees. W.E.B. Du Bois and other key members of the NAACP were true believers in Prince Hall Freemasonry; dual-membership was held by secretary Medgar Evers, executive director Benjamin Hooks, President and CEO Kweisi Mfume, and Justice Thurgood Marshall – also the first African American U.S. Supreme Court – all of whom were illuminated.
Other prominent black leaders like Booker T. Washington, Al Sharpton, and Jesse Jackson have all taken their oaths to Masonry. The leader of the first black labor union, A. Philip Randolph, had entered the order. A close aid to MLK, Andrew Young, and his father Martin Luther King Sr. were Prince Hall Freemasons. King’s widow, Coretta Scott King, also showed her support to the Masons by writing the preface of a rather extravagant biography of Prince Hall.
Prince Hall Masonry played a vital role in the Civil Rights Movement. It provided a platform for leadership, established an infrastructure of support though lodges, and served as an organizational and financial backbone for other civil rights groups. It contributed significant finances to the cause. Prince Hall Grand Lodges practically subsidized the NAACP for years. While being sold as safe space for Black Americans who were denied rights and resources by a white-dominated society, it actually just turned them into pawns. Why have these fraternal organizations played such a prominent role in both revolutionaries and their adversaries?
Many of the white enemies of the Civil Rights Movement were Freemasons, while their counterparts spearheading the movement were also Masons. This was not just an odd coincidence. Alex Haley, the biographer of Malcolm X and writer of Roots, was a 33º Mason in the Ancient & Accepted Scottish Rite. The same order as segregationists like Barry Goldstone and Strom Thurmond.
SOFT POWER PROPAGANDA
“Mum’s the word when we meet/ Be a mason, don’t repeat/ Angle eyes, are you wise?/ Goodbye”
– Irving Berlin, popular songwriter credited with creating the harmonic foundations of jazz.
Jazz was a genre that highly influenced society in the 20th century, but most of the histories written about jazz don’t mention the Masonic membership of its musicians. Many of its top Jazz artists were Freemason’s; Louis Armstrong, Duke Ellington, Nat King Cole, Eubie Blake, Cab Calloway, etc. Dizzy Gillespie said in his autobiography he was denied entry. Freemasonry and Jazz are spiritually intertwined. Many of these musicians saw themselves as working with the religious, the mystical, and the metaphysical.
During the Cultural Cold War, The U.S. government further weaponized Jazz. The medium was transformed into a form of cultural diplomacy and propaganda – to distract and soften public perception. Cultural goodwill was used as a smokescreen to hide its use of gunpowder diplomacy. Music that symbolized American freedom and Black Liberation became a tool for manipulation. The documentary Soundtrack to a Coup d’Etat (2024), shows how this tool was used for the 1961 assassination of the Congolese Prime Minister Patrice Lumumba.
The documentary interweaves jazz performances with declassified documents, and historical events to demonstrate how the genre was used as cover for violent regime change. And how it helped to portray Western actions as benevolent rather than imperialistic. The CIA turned jazz legends, like Louis Armstrong, into “ambassadors”. Dizzy Gillespie was sent into Syria for a similar propaganda push in 1956.
They did this through the U.S. State Department; and CIA fronts like U.S. Information Agency (USIA) and the American Society of African Culture. They had Armstrong tour the Congo just before Lumumba’s assassination. The trip was sponsored in part by Union Minière; a Belgian mining company that was invested in valuable minerals from one of Congo’s largest mines; they were invested in Lumumba’s overthrow. Jazz became another Black cultural movement held in a chokehold by this imperial Masonic worldview.
TODAY’S SUPREME MATHEMATICS
“Arm, leg, leg, arm, head – this is God Body/ Knowledge, wisdom, freedom, understanding, we just want our equality”
– Jay Z “Heaven”
Black Freemasonry has helped birthed many unofficial offspring; United Negro Improvement Association, Moorish Science Temple, Nation of Islam, Nation of Gods and Earths, Nuwaubian Nation, and the Boulé. On the surface these organizations are about black unity, but their cores are rotten being shaped by the imperialistic worldview of Freemasonry; an infection that slowly creeps in. These groups have created a large divide within the community and without.
Marcus Garvey incorporated many different Masonic elements like oaths, secret initiation, and benevolent functions. Many have alleged he was a Mason; his wife said he didn’t attend meetings but was associated. His adviser and most trusted lieutenant, John E. Bruce was a Prince Hall Mason. Garvey’s Back to Africa movement continued in Prince Hall’s footsteps from more than a 100 years before.
Henry McKee Minton and the co-founders of the oldest Black Greek-letter fraternity, Sigma Pi Phi – the Boulé – was modeled on white secret societies, particularly Yale’s Skull and Bones society. The Boulé’s members have profoundly influenced and shaped African American culture, politics, business and society. An institution designed to align the black man to the larger power structures of the world. This organization prioritizes helping adjacent white men over grassroots Black upliftment.
Noble Drew Ali’s Moorish Science Temple was heavily influenced by Masonry, Theosophy, and Rosicrucianism, integrating a wide variety of occultism and ancient beliefs. He was aiming to show the African American their divine lineage – he claimed the black man was born with the “seed of perfect development.” Their sacred text, Circle of Seven Koran, borrowed extensively from Freemasonry. The book also mentions Marcus Garvey was the “forerunner” of Moorish Science Temple.
Wallace Fard Muhammed, the enigmatic founder of the Nation of Islam, was significantly influenced by Freemasonry. Fard was more inspired by Marcus Garvey and Noble Drew Ali than by the Qur’an. He claimed to be God, telling people he was “the Supreme Ruler of the Universe.” His theology incorporated elements from Islam, Gnosticism, Prince Hall Freemasonry, ufology, and heretical Christian teachings.
After Fard disappeared, Elijah Muhammad became his successor. Before joining the Nation he was both a Moorish Science Temple initiate and Prince Hall Freemason. Elijah referred to Masonry as the “true rendition of the Caucasian man’s history.” One of his main principles was black man was the original man, and the white man was the devil. His separatist ideology alienated him from other Civil Rights leaders. Elijah once had Malcolm X secretly meet with the Ku Klux Klan members to discuss both races creating segregated states. The Nation’s current leader, Louis Farrakhan, is not formally a member, but has received honors from various Black Masonic jurisdictions. Farrakhan’s rhetoric has moved away from the unorthodox teachings of Elijah Muhammad, to focus more on black militancy.
Clarence Smith (13X) was kicked out of the NOI by Elijah Muhammad for not following the rules. He created his own offshoot, The Nation of Gods and Earths (the 5%ers) He turned the teachings of the Nation of Islam into more of a scientific process to help claim to recognize one’s inherent divinity. They mixed Afrocentric teachings with various traditions like Pythagoreanism, Hermeticism, Gnosticism, and Islamic mysticism.
One of its tenets is that the sacred geometry of the “360° cipher” will build the character of the modern Black Man giving him access to the divine knowledge of the Original Man. The Five Percenter concept of God Body is about the deification of Man – a core tenet of Freemasonry. You either build or destroy, where you come from? This subtle subversion of esotericism is meant to cause profound personal transformations.
The Five Percenter model of self-realization has been popularized by Hip Hop artists such as Rakim, Nas, Brand Nubian, Wu-Tang Clan, Poor Righteous Teachers, Jay Electronica, etc. Jay-Z has long been associated with the Nation of Gods and Earths. His lyrics are full of references, and he’s worn jewelry that displays the Five Percenter Universal Flag.
Dr. Malachi Z. York 33° was another Freemason who created his own society, the Nuwaubian Nation. The organization combined elements of Freemasonry and Theosophy. Though officially recognized by Prince Hall Masonry, York claimed he had access to the true teachings of Freemasonry after touring the Middle East.
In the music video for Jaz-O’s The Originators, you can see that he and Jay-Z were hanging out with Dr. York and around his studio in Brooklyn. The activist Marc Lamont Hill publicly acknowledged that he was affiliated with Dr. Malachi York’s Nuwaubian cult, and has validated Jay-Z being around the scene. Rappers Prodigy, Nas, Cam’ron, MF Doom, Vinnie Paz, Ill Bill, and Sean Price all have lyrics about Dr. York.
These various groups claim to be focused on black power and unity, yet haven’t created much of anything but more divisiveness for the community.
DO THE KNOWLEDGE
“Elijah Muhammad is to the so-called Negro what Adolph Hitler was to the German people. He is the most powerful black man in the country. Heil Hitler.”
– American Nazi Party Leader George Lincoln Rockwell (addressing the Nation of Islam audience at the 1962 Savior’s Day Convention)
What are the mysteries hidden behind the veil in Freemasonry’s inner sanctum? The arch Mason Albert Pike claims, in Morals and Dogma, that the brotherhood is a vessel of beliefs from ancient pagan cults. He says that Masonry is identical with the ancient Mysteries. Pike says that the Blue Lodges of Masonry – the first three degrees found in universal Freemasonry – are just an “outer court or portico.” A passageway to guide the initiate into a greater occult structure. At this point the Masonic initiate leaves behind the fraternal order and enters the Masonic “Temple.”
Those in the Blue Degrees are intentionally deceived concerning the nature of the temple – the symbols are intentionally meant to mislead and create false interpretation. Understanding isn’t the point, the initiate imagining that he understands is the point. The true teachings are reserved for the Adepts. The modus operandi of this Royal Art is meant to remain hidden in the Higher Degrees. An enigma designed to remain an enigma. As Pike says: “Masonry jealously conceals its secrets, and intentionally leads conceited interpreters astray.” Those who think the order is a benign club for bonding and networking are intentionally misled. Every Masonic Lodge is a temple of religion, “one in which all civilized men can unite”.
Those who assume that the pernicious strain of Freemasonry worships the Christian God are entirely mistaken. Albert Pike, who embodies this malevolent tradition, condemns Christianity for opposing magic and suppressing the occult philosophies.
Pike and members of this more sinister branch of Freemasonry reject the Bible in all forms. They assert that the Kabbalah is a key spiritual source book for Freemasonry. Pike states: “Masonry is a search after Light. That quest leads us immediately back, as you see, to the Kabbalah.” According to Pike, the “Bible, with all its allegories, expresses, in an incomplete and veiled manner only, the religious science of the Hebrews.” Pike calls Kabbalah “a second Bible” giving a more complete understanding of the religion of the Hebrews.
Freemasonry has always sought to destroy Orthodox Christianity and all Biblical religions. Undermining the Old Testament and traditional Judaism with the Kabbalah is a part of this. Traditional Judaism is seen as inferior to Kabbalah. Pike says: “The Pentateuch and the prophetic poems were merely elementary books of doctrine, morals, or liturgy.” The true and secret philosophy is only found in Kabbalah. “A treasure surrounded by thorns; a diamond concealed in a rough dark stone.” In this Temple the gentile is converted into a Shabbos Goyim.
In that system it’s believed that Man can only achieve union with God by participating in the repairing of the world, or Tikkun Olam. At creation, vessels that contained divine light were shattered, and the light scattered into creation. The shards of these vessels trapped holy sparks of the divine. The goal of human existence is this repair. The act of repair is the mechanism by which the mystic moves from a state of separation to one of union. It is seen as their duty to spiritually correct, and fix those in the world seen as profane savages.
BY ANY MEANS NECESSARY
“I felt a challenge to plan, and build, an organization that could help to cure the black man in North America of the sickness which has kept him under the white man’s heel. The black man in North America was mentally sick in his cooperative, sheeplike acceptance of the white man’s culture.”
– Malcolm X (The Autobiography of Malcolm X)
Malcolm knew there was a sickness, he just didn’t have enough time to fully diagnose the cause. It was in America that Malcolm was led to believe unity between white and non-white was impossible. The trip he took to Mecca changed all of that. His trip directly countered the Nation of Islam teaching that white people are the devil. Breaking bread with the whitest of white Muslim’s changed how he saw everything. Malcolm did not live a year after his trip.
“In the past, yes, I have made sweeping indictments of all white people. I will never be guilty of that again — as I know now that some white people are truly sincere, that some truly are capable of being brotherly toward a black man. True Islam has shown me that a blanket indictment of all white people is as wrong as when whites make blanket indictments against blacks.”
It was Malcolm’s emphasis on uniting oppressed peoples of color internationally, and his shift to anti-racism that got the good brother killed. His wife Betty publicly blamed the Nation of Islam for her husband’s murder, while also believing that the FBI and other government agencies enabled or orchestrated it. There are others who’ve put the blame in the gloved hands of Prince Hall Freemason’s.
Unity is antithetic to the imperialistic worldview. Unity is not about seeing yourself as central in the universe, like the kabbalistic system promotes. Unity isn’t about identity politics. Unity transcends race. But promoting unity sure can get you killed. The real problem has always been about the creation of a unified black movement. This is why the manipulation goes much deeper than just black leaders; the engineering of black identity starts with the culture itself and the people who shape it.
Bibliography:
All Men Free and Brethren: Essays on the History of African American Freemasonry – Peter P Hinks
Black Freemasonry: From Prince Hall to the Giants of Jazz – Cécile Révauger
Builders of Empire: Freemasons and British Imperialism, 1717-1927 – Jessica Harland-Jacobs
The Fraternal Atlantic, 1770–1930 – Jessica Harland-Jacobs
Freemasonry and American Culture, 1880-1930 – Lynn Dumenil
Handbook of Freemasonry – Henrik Bogdan
The History Of Freemasonry – Albert G Mackey
American Freemasonry: Its Revolutionary History and Challenging Future – Alain de Keghel
American Lazarus: Religion and the Rise of African American and Native American Literature – Joanna Brooks
Morals and Dogma: of the Ancient and Accepted Scottish Rite of Freemasonry – Albert Pike
The Ku Klux Klan and Freemasonry in 1920s America – Miguel Hernandez
The Lost Keys of Freemasonry – Manly Palmer Hall
The Path of Freemasonry – Mark Stavish
Negro Masonry – William H. Upton
African American Fraternities and Sororities: The Legacy and the Vision – Tamara L. Brown
The Delectable Negro: Human Consumption and Homoeroticism within US Slave Culture – Vincent Woodard
The Masters Revealed – K. Paul Johnson
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Jewish Gnosticism, Merkabah Mysticism, and Talmudic Tradition – Gershom Scholem
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Qabalah, Qliphoth and Goetic Magic – Thomas Karlsson
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Niggas in Denial: Pimping the System and the System of Pimping – E Michael Jones
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Mission to America: Five Islamic Sectarian Communities in North America – Yvonne Yazbeck Haddad
Islam in the African American Experience – Richard Brent Turner
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Ancient Black Astronauts and Extraterrestrial Jihads: Islamic Science Fiction as Urban Mythology -Yusuf Nuruddin
From Civil Rights to Black Liberation: Malcolm X and the Organization of Afro-America Unity
Making Malcolm: The Myth and Meaning of Malcolm X – Michael Eric Dyson
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Malcolm X: From Political Eschatology to Religious Revolutionary – Dustin J. Byrd
Malcolm X Speaks: Selected Speeches and Statements – George Breitman
The Judas Factor: The Plot to Kill Malcolm X – Karl Evanzz
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